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The Influence of Chinese Imagery Aesthetics on National Fashion Jewelry
DOI: https://doi.org/10.62381/ACS.HSMS2024.26
Author(s)
Feng Pan*
Affiliation(s)
Liming Vocational University, Quanzhou, Fujian, China *Corresponding Author.
Abstract
Chinese national fashion jewelry has become a new trend of jewelry consumption in China. The popularity of national fashion style is a reflection of cultural self-confidence. This paper deeply discusses and analyzes the influence of Chinese imagery aesthetics on Chinese national fashion jewelry design, and provides a new perspective for understanding and excavating the value of Chinese traditional culture in contemporary design. The analysis results reflect that Chinese imagery aesthetics has three remarkable characteristics: symbolism, artistic conception and fuzziness, which endow Chinese national fashion jewelry with profound cultural connotation and unique aesthetic value.The influence of Chinese imagery aesthetics on Chinese national fashion jewelry design is reflected in three aspects: first, the aesthetic value of imagery in jewelry design, which makes every piece of jewelry possible to evoke associations and emotional resonance among viewers, and strengthens the status of jewelry as a carrier of emotion transmission; The second is the guiding role of imagery in innovative design, which provides designers with a rich source of creativity and stimulates their ability to interpret and transform traditional elements in a modern way; Thirdly, in the ingenious design of the integration of tradition and modernity, including the pursuit of emotional and natural themes in the design, the expression of poetry and vitality in the application of modeling language in the work and the modern fashion design of traditional elements through the combination of traditional materials and craftsmanship technology.
Keywords
Chinese Imagery Aesthetics; Chinese National Fashion Jewelry Design; Traditional Culture; Innovation and Integration; Aesthetic Value
References
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