Analysis of the Formal Language in Contemporary Minority Nationality-Themed Fine Brushwork Figure Painting
DOI: https://doi.org/10.62381/E244111
Author(s)
Xiaoying Deng1, Xingmei Xu2
Affiliation(s)
1School of Fine Arts, Sichuan Minzu College, Kangding, Sichuan, China
2School of Arts and Design, Sichuan College of Culture and Arts, Mianyang, Sichuan, China
Abstract
Minority nationality-themed fine brushwork figure paintings, focusing on the portrayal of ethnic minority people, represent a unique genre dedicated to depicting the spirit of ethnic minority people. It occupies a distinctive niche within the broader continuum of Chinese art, carrying forward the creative passion and artistic pursuit of each generation of fine brushwork artists towards minority culture. With the progress and development of the times, classic works have always been the treasure of artistic creation in this genre. These thematic paintings manifest profound artistic expression and regional characters, especially exhibiting ethnic distinctiveness in their formal language. To be outstanding, creators must achieve a comprehensive understanding of the formal language of this genre, thus only by respecting the cultures of the minority areas and optimizing the creation can this type of painting innovate and develop, staying true to its roots while encouraging innovation.
Keywords
Minority Themes; Fine Brushwork Figure Painting; Formal Language; Analysis
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