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Research on All-round Education in Ancient Book Theory

Author(s)

Hui Gao

Affiliation(s)

Sichuan Minzu College, Kangding, Sichuan, China

Abstract

Traditional Chinese literary and artistic criticism usually unifies moral standards and artistic standards. This criticism emphasizes the consistency of human and artistic style, closely combines art and life, and evaluates artistic works with moral standards as an important aspect of artistic standards. Like literature and art, calligraphy is closely related to morality. In ancient calligraphy criticism, the personality and morality of calligraphers are usually regarded as an important standard to judge the achievement of calligraphy. Therefore, there have been sayings such as "the book is the person" and "the book is the mind painting" in China since ancient times. Therefore, the art of calligraphy can be called a moral activity, and calligraphy criticism can also be called a moral criticism. Ancient China has a long history and a long time span. Social life and cultural trends in different historical periods have a profound impact on the emergence, development and change of artistic functions. As a special spiritual production, art is to meet people's aesthetic needs as the main purpose, while taking into account other values as the auxiliary purpose. This paper studies the function of all-round education of calligraphy art and its influence and value on the present calligraphy.

Keywords

Calligraphy; Book Theory; All-Round Education; Artistic Function; Educational Value

References

[1]Yuan Ang: "Review of Ancient and Modern Books", see Zhang Yanyuan's "Essential Records of Fashu", Zhejiang People's Fine Arts Publishing House, 2019 edition, page 58. [2]Ouyang Xiu: Complete Works of Ouyang Xiu, Zhonghua Book Company, 2001 edition, Volume 141. [3]Zhu Changwen: "Continuation of Books and Preface", Zhejiang People's Fine Arts Publishing House, 2019 edition, page 270. [4]Xiang Mu: "Elegant Words of Calligraphy", Cui Erping: "Book Essays of Ming and Qing Dynasties", Shanghai Painting and Calligraphy Publishing House, 2011 edition, page 270. [5]Liu Xizai: Book Overview, Anthology of Books in Ming and Qing Dynasties, Shanghai Painting and Calligraphy Publishing House, 2011 edition, page 1198. [6]Su Shi, (Ming) Mao Wei edited: "Collected Works of Su Shi", Zhonghua Book Company, 1986 edition, page 2177. [7]Deng Shi, Ed. Art Series, Vol.4, Zhejiang People's Fine Arts Publishing House, 2018, page 45. [8]Fu Peirong: Interpreting the Analects of Confucius, Oriental Publishing House, 2012, Page 51. [9]Ding Wenjun: "Introduction to the Essence of Calligraphy", People's Fine Arts Publishing House, 2007 edition, page 18.