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The Pitch Accuracy Problem and Training Methods in Erhu Performance
DOI: https://doi.org/10.62381/P243814
Author(s)
Liu Jiayi
Affiliation(s)
Changsha Normal University, Changsha, Hunan, China
Abstract
In the study of a musical instrument, intonation is the cornerstone of playing ability and musical expression, and the importance of its training cannot be ignored. As a national bow string instrument with no finger board and taste, erhu is more difficult to control the intonation than other instruments. However, the intonation problem in erhu performance is not only caused by a single factor, not only the subjective factors and training methods of practitioners, but also the reasons for the debugging of the instrument. Therefore, when facing the intonation problem of erhu performance, we need to analyze it dialectically, and try to improve and solve the problem with effective methods as far as possible.
Keywords
Erhu Performance; Training Methods; Pitch Accuracy Problem
References
[1] Yu Hongmei. The ladder to the Erhu Art Hall - Preface to the Erhu scale System [J]. People's Music, 2021 (6): 94-95. [2] Liu Changfu. The pitch quality problem in erhu performance (top) [J]. Instrument, 2008 (8): 44-45. [3] Liu Changfu. The pitch quality problem in erhu performance (bottom) [J]. Instrument, 2008 (9): 32-33. [4] Introduction to violin fingering [M]. [Su] Janpolski (И Ямпольскии); translated by Jin Wenda. The Music Press. 1958
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